Tuesday, August 5, 2008

South Korean scientists have confirmed that they have completed the first ever commercial cloning of a dog to take place.

Bernann McKinney, who ordered the cloning for US$50,000, has said that she is pleased with the result of the cloning. “They are perfectly the same as their daddy. I am in heaven here. I am a happy person,” she said in a press conference delivered earlier today. The regular charge will be up to US$150,000, but was discounted for the first customer.

McKinney continued the press conference by saying that “Booger [the dog] had a kindness in his heart and I believe that kindness is something that can be, I don’t want to use the word reproduced, but the best way Dr Lee explained it is we can give him his body, you are going to give him the love and environment to recreate the original Booger’s personality.”

McKinney ordered five copies of her dog Booger, which she describes as her ‘partner’ and ‘friend’.

RNL Bio, which performed the cloning said that “we commemorate the world’s first commercial cloning of a pet dog, Booger,” on their website. They also stated that anyone interested in getting their pet cloned should contact them.

Retrieved from “https://en.wikinews.org/w/index.php?title=South_Korean_scientists_claim_they_have_cloned_pet_dog&oldid=3150346”
Posted in Uncategorized
This article mentions the Wikimedia Foundation, one of its projects, or people related to it. Wikinews is a project of the Wikimedia Foundation.

Thursday, October 22, 2020

2020 Melbourne Lord Mayor candidate Wayne Tseng answered some questions about his campaign for the upcoming election from Wikinews. The Lord Mayor election in the Australian city is scheduled to take place this week.

Tseng runs a firm called eTranslate, which helps software developers to make the software available to the users. In the candidate’s questionnaire, Tseng said eTranslate had led to him working with all three tiers of the government. He previously belonged to the Australian Liberal Party, but has left since then, to run for mayorship as an independent candidate.

Tseng is of Chinese descent, having moved to Australia with his parents from Vietnam. Graduated in Brisbane, Tseng received his PhD in Melbourne and has been living in the city, he told Wikinews. Tseng also formed Chinese Precinct Chamber of Commerce, an organisation responsible for many “community bond building initiatives”, the Lord Mayor candidate told Wikinews.

Tseng discussed his plans for leading Melbourne, recovering from COVID-19, and “Democracy 2.0” to ensure concerns of minorities in the city were also heard. Tseng also focused on the importance of the multi-culture aspect and talked about making Melbourne the capital of the aboriginals. Tseng also explained why he thinks Melbourne is poised to be a world city by 2030.

Tseng’s deputy Lord Mayor candidate Gricol Yang is a Commercial Banker and works for ANZ Banking Group.

Currently, Sally Capp is the Lord Mayor of Melbourne, the Victorian capital. Capp was elected as an interim Lord Mayor in mid-2018 after the former Lord Mayor Robert Doyle resigned from his position after sexual assault allegations. Doyle served as the Lord Mayor of Melbourne for almost a decade since 2008.

Retrieved from “https://en.wikinews.org/w/index.php?title=Wikinews_interviews_2020_Melbourne_Lord_Mayor_Candidate_Wayne_Tseng&oldid=4598699”
Posted in Uncategorized

By Ken Lyons

Replacing or upgrading the windows in your home can be a major project. Deciding which type of replacement windows to select requires careful research and consideration. If a window replacement project is on the horizon you should consider vinyl replacement windows. Here are the “Top Five Benefits of Installing Vinyl Replacement Windows.”

1) Replacing your house windows with energy efficient vinyl replacement windows will result in a significant reduction in your heating bills. You will see that this project will pay for itself in no time. Double pane replacement windows will keep out cold air in the winter and keep the cool air inside in the summer. Installing vinyl basement replacement windows will keep your basement from being drafty and can improve the comfort of your living space drastically.

2) Vinyl windows are attractive looking and will improve your home’s value. One of the most common reasons that people choose this type of window is because they look better than wood or aluminum. Most often the aluminum frames are painted and as they age the paint chips, which start to look bad over time. This will not happen with vinyl windows. Vinyl window products come in various standardized colors and many different attractive finishes. What’s more installing vinyl windows in your home will improve it’s curb appeal and resale value significantly.

[youtube]http://www.youtube.com/watch?v=1gta2ICarDw[/youtube]

3) Vinyl replacement windows are maintenance free, very durable and built to last. Vinyl windows will not corrode or rust like aluminum windows. They are also very easy to care for. Vinyl replacement windows are easily cleaned with soap and water. These windows will keep their color indefinitely and will not chip or peel, therefore they will not require painting. Homeowners can enjoy a care free window that will last. If you have old wooden double hung windows you will notice a vast improvement by installing vinyl replacement windows.

4) Noise reduction is another great reason to choose vinyl replacement windows. A vinyl dual paned window can provide you with an excellent barrier to outside noise. There is no need to deal with the barking dogs, traffic and noisy neighbors. You can enjoy a good night sleep as well as peace and quiet your home

5) Installing energy efficient vinyl windows can also earn you a tax credit of up to $1500. To take advantage of the federal tax credit for windows you need to purchase new windows with a U-Factor of .30 or less. The U-Factor measures how well a window prevents heat from escaping. A lower number means a higher efficiency. The windows should also have a Solar Heat Gain Coefficient (SHGC) of .30 or less. This number measures how well a window blocks heat from sunlight. Those windows that do qualify for the tax credit will have a NFRC sticker.

As you can see, there are many great benefits to installing vinyl replacement windows in your home. Vinyl windows are attractive, energy efficient and virtually maintenance free. They can also reduce noise and qualify you for a tax credit. Vinyl windows come in all types, even double hung replacement windows. You can benefit greatly by replacing all of your house windows with vinyl windows, including cellar replacement windows.

About the Author: Ken Lyons is a marketing consultant for King Shade and Window, a leading installer of

Massachusetts replacement windows

. Read our

Harvey replacement windows review

if you’re thinking about purchasing

Boston replacement windows

.

Source:

isnare.com

Permanent Link:

isnare.com/?aid=552380&ca=Home+Management

Posted in Energy Systems

Thursday, January 29, 2009

Giving a cow a name and treating her as an individual with “more personal touch” can increase milk production, so says a scientific research published in the online “Anthrozoos,” which is described as a “multidisciplinary journal of the interactions of people and animals”.

The Newcastle University‘s School of Agriculture, Food and Rural Development’s (of the Newcastle University Faculty of Science, Agriculture and Engineering) researchers have found that farmers who named their dairy cattle Ermintrude, Daisy, La vache qui rit, Buttercup, Betsy, or Gertrude, improved their overall milk yield by almost 500 pints (284 liters) annually. It means therefore, an average-sized dairy farm’s production increases by an extra 6,800 gallons a year.

“Just as people respond better to the personal touch, cows also feel happier and more relaxed if they are given a bit more one-to-one attention,” said Dr Catherine Douglas, lead researcher of the university’s School of Agriculture, Food and Rural Development. “By placing more importance on the individual, such as calling a cow by her name or interacting with the animal more as it grows up, we can not only improve the animal’s welfare and her perception of humans, but also increase milk production,” she added.

Drs Douglas and Peter Rowlinson have submitted the paper’s conclusion: “What our study shows is what many good, caring farmers have long since believed. Our data suggests that, on the whole, UK dairy farmers regard their cows as intelligent beings capable of experiencing a range of emotions.” The scientific paper also finds that “if cows are slightly fearful of humans, they could produce [the hormone] cortisol, which suppresses milk production,” Douglas noted. “Farmers who have named their cows, probably have a better relationship with them. They’re less fearful, more relaxed and less stressed, so that could have an effect on milk yield,” she added.

South Norfolk goldtop-milk producer Su Mahon, one of the country’s top breeder of Jersey dairy herds, agreed with Newcastle’s findings. “We treat all our cows like one of the family and maybe that’s why we produce more milk,” said Mrs Mahon. “The Jersey has got a mind of its own and is very intelligent. We had a cow called Florence who opened all the gates and we had to get the welder to put catches on to stop her. One of our customers asked me the other day: ‘Do your cows really know their names?’ I said: I really haven’t a clue. We always call them by their names – Florence or whatever. But whether they really do, goodness knows,” she added.

The researchers’ comparative study of production from the country’s National Milk Records reveals that “dairy farmers who reported calling their cows by name got 2,105 gallons (7,938 liters) out of their cows, compared with 2,029 gallons (7,680 liters) per 10-month lactation cycle, and regardless of the farm size or how much the cows were fed. (Some 46 percent of the farmers named their cows.)”

The Newcastle University team which has interviewed 516 UK dairy farmers, has discovered that almost half – 48% – called the cows by name, thereby cutting stress levels and reported a higher milk yield, than the 54% that did not give their cattle names and treated as just one of a herd. The study also reveals cows were made more docile while being milked.

“We love our cows here at Eachwick, and every one of them has a name,” said Dennis Gibb, with his brother Richard who co-owns Eachwick Red House Farm outside of Newcastle. “Collectively, we refer to them as ‘our ladies,’ but we know every one of them and each one has her own personality. They aren’t just our livelihood, they’re part of the family,” Gibb explained.

“My brother-in-law Bobby milks the cows and nearly all of them have their own name, which is quite something when there are about 200 of them. He would be quite happy to talk about every one of them. I think this research is great but I am not at all surprised by it. When you are working with cows on a daily basis you do get to know them individually and give then names.” Jackie Maxwell noted. Jackie and her husband Neill jointly operate the award-winning Doddington Dairy at Wooler, Doddington, Northumberland, which makes organic ice cream and cheeses with milk from its own Friesian cows.

But Marcia Endres, a University of Minnesota associate professor of dairy science, has criticized the Newcastle finding. “Individual care is important and could make a difference in health and productivity. But I would not necessarily say that just giving cows a name would be a foolproof indicator of better care,” she noted. According to a 2007 The Scientist article, named or otherwise, dairy cattle make six times more milk today than they did in the 1990s. “One reason is growth hormone that many U.S. farmers now inject their cows with to increase their milk output; another is milking practices that extend farther into cows’ pregnancies, according to the article; selective breeding also makes for lots of lactation,” it states.

Critics claimed the research was flawed and confused a correlation with causation. “Basically they asked farmers how to get more milk and whatever half the farmers said was the conclusion,” said Hank Campbell, author of Scientific Blogging. In 1996, the Department for Environment, Food and Rural Affairs provided for a complex new cattle passport system where farmers were issued with passport identities. The first calf born under the new regime were given names like “UK121216100001.”

Dr Douglas, however, counters that England doesn’t permit dairy cattle to be injected hormones. The European Union and Canada have banned recombinant bovine growth hormone (rGBH), which increases mastitis infection, requiring antibiotics treatment of infected animals. According to the Center for Food Safety, rGBH-treated cows also have higher levels of the hormone insulin-like growth factor 1 (IGF1), which may be associated with cancer.

In August 2008, Live Science published a study which revealed that cows have strange sixth sense of magnetic direction and are not as prone to cow-tipping. It cited a study of Google Earth satellite images which shows that “herds of cattle tend to face in the north-south direction of Earth’s magnetic lines while grazing or resting.”

Newcastle University is a research intensive university in Newcastle upon Tyne in the north-east of England. It was established as a School of Medicine and Surgery in 1834 and became the “University of Newcastle upon Tyne” by an Act of Parliament in August 1963.

The School of Agriculture, Food and Rural Development is a school of the Newcastle University Faculty of Science, Agriculture and Engineering, a faculty of Newcastle University. It was established in the city of Newcastle upon Tyne as the College of Physical Science in 1871 for the teaching of physical sciences, and was part of Durham University. It existed until 1937 when it joined the College of Medicine to form King’s College, Durham.

Retrieved from “https://en.wikinews.org/w/index.php?title=Dairy_cattle_with_names_produce_more_milk,_according_to_new_study&oldid=1985434”
Posted in Uncategorized

Tuesday, October 29, 2013

Pop band Fleetwood Mac has cancelled its upcoming tour of Australia and New Zealand following diagnosis of their bassist John McVie with cancer.

The tour was expected to begin on November 10 at the Sydney Entertainment Centre and continue through the Hunter Valley, Geelong, Melbourne, Adelaide, Brisbane and Perth over the following two weeks.

The band’s spokeswoman Liz Rosenberg did not specify what type of cancer Mc Vie is receiving treatment for, nor did she comment on the extent of the disease. A statement on the band’s website apologized to fans for the cancellation of the tour and explained that Mc Vie has been scheduled to receive treatment for during the scheduled dates.

“We are sorry to not be able to play these Australian and New Zealand dates,” the statement read on their official Facebook page. “We hope our Australian and New Zealand fans as well as Fleetwood Mac fans everywhere will join us in wishing John and his family all the best.”

Fleetwood Mac had just finished touring Europe. The band is scheduled to perform in Las Vegas on December 30.

Retrieved from “https://en.wikinews.org/w/index.php?title=Fleetwood_Mac_cancel_upcoming_Australian_and_New_Zealand_tour&oldid=2553267”
Posted in Uncategorized

Submitted by: Chris Chew

If you want to have a good voice for singing, then besides practicing with the correct vocal exercises to improve your voice quality and flexibility, you will still have to take active actions to protect your vocal cords.

Sounds like common sense, doesn’t it? Yes, it is precisely so basic that people forget about it or do not even think about it and that is why there are so many people damaging their vocal cords daily and depriving themselves of a good singing voice.

Let me ask you a question. Tell me how often do you burst into a song without doing proper vocal warming up exercises? Are you guilty of singing before warming up your voice properly? Every singer worth his or her salt knows that when you warm up your vocal cords, your singing will be more flexible and because of that, prevent strains and damages to your vocal folds. Alas, even then many singers do not bother to do warming up exercises and that even include some professional singers too.

What about cooling down your vocals after singing? Oh, you don’t think it is important to cool down your voice after a performance? Of course it is important because when you sing, tension builds up around your singing mechanism and you have to release the tension. This is what cooling down is for, otherwise the tension may create swelling of your vocal cords and other damages.

[youtube]http://www.youtube.com/watch?v=gja81ieLorA[/youtube]

Screaming, shouting and speaking loudly can cause permanent damage to your vocal cords. All you need to have proof of this is just to listen to the heavy metal rock singers when they talk. Their voices are all raspy and coarse from shouting and screaming when they perform. Some of them even have to undergo surgeries to repair their vocal cords in order to stay in their career as a singer.

Yes, shouting, screaming and having a raspy voice may be the thing if you are a heavy metal rock singer, however how many of you aspire to be one besides also risking permanent vocal damage?

If you want to have a good singing voice and you are a smoker, then it is time to quit smoking. Look, if smoking can cause throat cancer that can destroy the entire throat, can you imagine what it is doing to your vocal cords right now?

People are always saying breathe with your diaphragm when you sing, but when you ask them what they meant by breathing with the diaphragm and they are stumped. So are you trained to breathe with your diaphragm when singing or as a matter of fact, that is the correct way to breathe even when you are not singing?

All babies naturally breathe with their diaphragm and that is why they can throw their voices so far and wide when they cry. However as we get older, most of us just lost this natural ability and must be trained to get it right.

When you are breathing right when singing, your voice will soar effortlessly, be of better quality, the notes will be steadier and you can also hold notes longer because you will be able to better control your breathing. As such, you will less likely be straining your vocal cords and so offer it more protection and voice preservation. If you do not know how to breathe with your diaphragm, then get some singing lessons to learn it. This is essential if you want to be a better singer.

The above are just some of the many things you can do to protect your singing mechanism. If you are a professional, don’t just stop here because there are many more things you can do to protect and preserve a good singing voice.

About the Author: The author Chris Chew is a music consultant and says that if you want to be a better singer, then read

professional singing lesson

and

how to have perfect pitch

Source:

isnare.com

Permanent Link:

isnare.com/?aid=990148&ca=Recreation

Posted in Dance

Wednesday, April 11, 2007

Sharks lead series 1-0. (Best of Seven)

San Jose Sharks 5 4 Nashville Predators
Retrieved from “https://en.wikinews.org/w/index.php?title=NHL:_Sharks_defeat_Predators,_take_1-0_lead_in_series&oldid=4576323”
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Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.


DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.
But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.
As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.
Retrieved from “https://en.wikinews.org/w/index.php?title=RuPaul_speaks_about_society_and_the_state_of_drag_as_performance_art&oldid=4462721”
Posted in Uncategorized

byAlma Abell

Today’s drivers have felt the effects of these difficult economic times, and for many, the only option is to purchase a used car instead of a brand new one. Almost everyone has to have an automobile these days, but buying one can be quite a challenge for those who are living on a tight budget. Some buyers will turn to the classified ads and may even find a bargain, but they also run the risk of buying a lemon.

[youtube]http://www.youtube.com/watch?v=o0H5oS3-LWU[/youtube]

Unscrupulous sellers often disguise mechanical problems just long enough to sell the vehicle and then they are nowhere to be found when the buyer realizes he has been taken. For this reason, many buyers of previously owned cars choose to buy from a reputable used car dealership. They know their car will have been checked mechanically before it is put on the lot to be sold. There are other good reasons to buy a used car from a reputable dealership as well. Some of the better used car dealerships will give a warranty with the car, and that can be very important for anyone with limited funds for unexpected repairs. A prospective buyer who is new to the area can Locate a Local Used Car Dealerships by searching online or looking through the phone book.

There are many quality used cars for sale in today’s market. Anyone needing an attractive yet dependable automobile should consider finding one at a good used automobile dealership. A late-model car or other vehicle that has been taken care of and properly serviced often looks and drives like a brand new one. The buyer’s friends and family members might not even realize he or she did not buy a brand new automobile unless they are told.

Today’s modern automobile dealerships, including the ones which sell used automobiles, are staffed with friendly, knowledgeable professionals who will gladly assist the buyer in finding the right used car, truck, van or SUV to fit his or her needs and lifestyle. If it cannot be found at their dealership, some dealers will even enlist the help of their contacts so that the buyer gets exactly what they want. There has never been a better time to Locate a Local Used Car Dealerships and check out Heritage Motors Corporate Center for the perfect quality used car.

Posted in Used Cars

Tuesday, March 22, 2005

Twenty-four cars of a west-bound Canada Pacific train were thrown from the tracks after the train collided with a semi tractor-trailer in poor weather and visibility near Regina, Saskatchewan around 11 a.m. Tuesday morning. The driver was rushed to hospital.

The accident took place on a level section of Highway 46 just north of Highway 1, about 25 kilometres east of Regina. The RCMP spokesperson reported the crossing is marked with lights, but weather may have played a role.

“Road conditions were wet and sloppy and it’s foggy,” RCMP Cpl. Brian Jones said to the CBC. The bad weather, including a heavy overnight snowfall, may have contributed to the accident.

Most of the 93 cars in the train were empty bulk transit cars, used for moving agricultural products such as grains. The RCMP report that neither train or truck were transporting any hazardous materials.

Retrieved from “https://en.wikinews.org/w/index.php?title=Train_derailed_by_collision_with_semi_in_Saskatchewan,_Canada&oldid=4573771”
Posted in Uncategorized
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