Wednesday, April 27, 2005

The auction hammer came down Wednesday, in London, on Judy Garland’s blue gingham dress, worn in the 1939 movie “The Wizard of Oz.” It sold for £140,000 (about US$262,157.40).

The identity of the buyer, who sealed the deal on the telephone, was not immediately revealed. Bonham auctioneers told reporters there was a pre-sale estimate of £35,000 (about US$65,529.47).

The dress, one of the most recognizable in the movie world, was made for the 17-year-old Garland who had a 27-inch (68-centimetre) waist. Her name is still on a tag on an inside hem. It was auctioned as part of a sale of rock and film memorabilia and was described as a “cherished memory for millions of fans worldwide.”

The story of the “Wizard of Oz,” which sealed Garland’s legend as a worldwide star, tells the story of a young Kansan, Dorothy (Judy Garland) and her dog Toto. They are whisked away from their rural Kansas home by a tornado to a magical realm called OZ.

In their travels, they meet other now-famous characters, the Scarecrow, the Tin Man, and the Cowardly Lion.

Although the film started with only modest success, it has since become a screen classic.

Sunday, August 20, 2006

The eruption of volcano Tungurahua on August 16 destroyed several small villages in the Ecuadorian Andes. At least 6 people have been killed and about 4000 residents of the affected area have been evacuated.

The 5,023 m high volcano spat lava, stones and ash for several hours on Wednesday night. A 10km high ash cloud spread over an area of 740 by 180 km. Towns like Ambato or Riobamba, 30 km away from the volcano have been covered with up to 5cm of ash. Pyroclastic flows descending on the northwestern slopes of the volcano left a path of destruction behind.

At least seven small villages and hamlets have been completely destroyed. The ash and rocks blocked the Chambo and the Peula river and the road Ambato – Baños, one of the main connections between the Ecuadorian highlands and the Amazon region. The Institute for Geophysics has lost an important part of its equipment installed on the slopes of Tungurahua, limiting their capability to monitor the volcanic activity.

The Hydroelectric power plant Agoyan near Baños has been shut down since Wednesday night. On Thursday, air traffic in the whole country was limited due to ash layers on several airports. On Thursday the provinces of Chimborazo, Tungurahua, Cotopaxi and Bolivar have been declared a disaster area. Losses in agriculture due to the ash cover are estimated at $150 Million.

On Friday, volcanic activity decreased to a calm that remained into Saturday evening, but the Ecuadorian Institute for Geophysics warns that a further eruption may be imminent.

In 1999, after a long period of rest, the volcano started an eruptive process that continues to this day. After the first eruptions in October 1999 that produced a major ash out-fall and led to the temporary evacuation of more than 25,000 inhabitants of Baños and its surroundings, the activity continued on a medium level. In May 2006 it increased dramatically culminating in violent eruptions on July 14 and August 16.

Wednesday, June 18, 2008

Kivimetsän Druidi? is a Finnish female-fronted band formed in 2002 whose music is a fusion of symphonic, fantasy and folk metal, which the band’s website dubs ‘Rock ‘N’ Troll’.

Brothers Joni and Antti Koskinen formed the band in Kouvola with Joni playing guitar and growling while Antti played keyboard and sings backing vocals. They joined up with a female lead vocalist, lead and bass guitarists and a drummer. The brothers write the songs between them, with Antti doing the main body and Joni writing the lyrics.

Together the band recorded and released three demos and an EP, all released independently, across 2002-6. Across October and November 2007 they gained international attention by supporting well-known Finnish folk metal band Korpiklaani across a large European tour.

On June 6 this year Kivimetsän Druidi? was announced to have been signed to Century Media Records in a global deal. The band have now entered Noice Camp studio in Turku to record their debut, with a planned release date in October. This summer the only performances will be at a handful of festivals while the band works on their new album, but after that is released a major tour will follow to support it. The band say they are “extremely pleased” with the deal.

Wikinews was able to discuss these events and what the future holds for the band with the Koskinen brothers and female vocalist Leeni-Maria Hovila, who also writes the vocal melodies in an exclusive interview, which is published below for the first time.

Friday, April 11, 2008

New ‘deadly’ sexual enhancement products have been found in Singaporean markets and can cause serious side effects on users.

The Health Sciences Authority (HSA) announced the presence of the illegal drugs, known as Power 1 Walnut, Santi bovine penis erecting capsule, Zhong Hua Niu Bian and fake Cialis, which have been discovered over the past 3 months. Santi bovine penis erecting capsule has been found to contain high amounts of glibenclamide, a potent drug used to treat diabetes. The tablets also contain sildenafil and tadalafil – potent western medicines used to treat erectile dysfunction. Zhong Hua Niu Bian also contains sildenafil and glibenclamide.

High consumption of the tablets can be potentially deadly as the glibenclamide in the capsules can lead to drastically reduced blood sugar levels which can lead to seizures, stroke, coma or death. Consuming half of a Power 1 Walnut capsule has led to unconsciousness and frothing at the mouth.

Consumption of Power 1 Walnut has led to the death of a middle age man last week who fell into a coma. Currently, one death and two cases of coma have been reported from the total of 89 hospitalised cases linked with the consumption of the illegal drugs. It has been revealed that patients obtained the drugs by purchasing them from illegal peddlers located in various parts of Singapore.

The HSA has advised people to stop consuming the drugs and to report on any cases of consumption to them.

Saturday, March 1, 2008

While nearly all coverage of the 2008 Presidential election has focused on the Democratic and Republican candidates, the race for the White House also includes independents and third party candidates. These parties represent a variety of views that may not be acknowledged by the major party platforms.

Wikinews has impartially reached out to these candidates, throughout the campaign. We now interview independent Presidential candidate Frank Moore, a performance artist.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Thursday, July 15, 2010

In what the RSPCA calls a “horrific” case of animal cruelty, a dog’s jaw was taped shut, and its throat cut, in Cairns, Australia.

The Staffordshire mix, who was found by police in a critical condition last Thursday, was reportedly struggling to breath and bleeding heavily due to her throat being slashed and her muzzle being bound.

“The way they cut was almost down to the larynx, so muscles were cut but luckily they missed the jugular veins,” said Sarah Gill, the vet who stitched the 10 cm long, 3 cm deep cut.

In a statement reported on Tuesday, Inspector Cameron Buswell, a law enforcement officer with the RSPCA animal welfare charity, said it is hard to comprehend that there are people in the community capable of this level of cruelty.

“This would have to be up there as one of the more horrific cases we’ve dealt with […]The poor dog must have been petrified. How she didn’t die is miraculous.” he said.

Named ‘Franky’ by rescuers, the dog is progressing well along her road to recovery, has a warm, loving and kind nature, and has begun to come out of her shell, Buswell said.

“She is a really nice natured animal and she loves being with people.”

This has become apart of string of violent attacks on pets in Queensland. Another dog in North Queensland named ‘Boof’ was beaten and left to die with a 30 kg chain around his neck in January. In May, a family dog in Toowoomba had its throat slit and a rubber band placed around the wound, twice.

The RSPCA is appealing for information from the public regarding the person or persons responsible for the latest attack.

Monday, November 6, 2006

Gatorland, an Orlando, Florida tourist attraction known for its gator wrestling shows and its conservation programs for alligators, crocodiles, and other reptiles and birds, was heavily damaged by fire on Monday morning, November 6, 2006.

The four-alarm fire was reported at 5:55am EST. The entrance building, which contains the administration offices and the gift shop, was destroyed. The only thing left standing of it was its iconic gator head front gate, whose upper jaw was almost completely charred.

At least four animals — two gators and two snakes, which were being kept near the gift shop — were feared dead. No humans were hurt. The other gators in the public display took refuge in the central pools, and were okay. The birds were in the aviary in the back, and were in no danger.

None of the attraction venues beyond the gift shop, however, were damaged. Gatorland hopes to reopen for tourists in a week, using a temporary entrance.

Orange County Fire Rescue is investigating the cause of the fire.

See the discussion page for instructions on adding schools to this list.Tuesday, September 13, 2005

NAICU has created a list of colleges and universities accepting and/or offering assistance to displace faculty members. [1]Wednesday, September 7, 2005

This list is taken from Colleges offering admission to displaced New Orleans students, and is intended to make searching easier for faculty, graduate, and professional students.

In addition to the list below, the Association of American Law Schools has compiled a list of law schools offering assistance to displaced students. [2] As conditions vary by college, interested parties should contact the Office of Admissions at the school in question for specific requirements and up-to-date details.

The Association of American Medical Colleges is coordinating alternatives for medical students and residents displaced by Hurricane Katrina. [3]

ResCross.net is acting as a central interactive hub for establishing research support in times of emergency. With so many scientists affected by Hurricane Katrina, ResCross is currently focused on providing information to identify sources of emergency support as quickly as possible. [4]

With so many scientists affected by Hurricane Katrina, ResCross is currently focused on providing information to identify sources of emergency support as quickly as possible.

Physics undergraduates, grad students, faculty and high school teachers can be matched up with housing and jobs at universities, schools and industry. [5] From the American Association of Physics Teachers, the Society of Physics Students, the American Institute of Physics and the American Physical Society.

If you are seeking or providing assistance, please use this site to find information on research support, available lab space/supplies, resources, guidelines and most importantly to communicate with fellow researchers.

The following is a partial list, sorted by location.

Alabama |Alaska |Arizona |Arkansas |California |Colorado |Connecticut |Delaware |District of Columbia |Florida |Georgia |Hawaii |Idaho |Illinois |Indiana |Iowa |Kansas |Kentucky |Louisiana |Maine |Maryland |Massachusetts |Michigan |Minnesota |Mississippi |Missouri |Montana |Nebraska |Nevada |New Hampshire |New Jersey |New Mexico |New York |North Carolina |North Dakota |Ohio |Oklahoma |Oregon |Pennsylvania |Rhode Island |South Carolina |South Dakota |Tennessee |Texas |Utah |Vermont |Virginia |Washington |West Virginia |Wisconsin |Wyoming |Canada

Wednesday, January 4, 2006

Two years on from the raids that signalled the start of what is generally accepted to be a separatist campaign in the south of Thailand, military forces in the area remain on alert for a repeat of the daring raid that saw four soldiers killed and over 400 guns stolen.

The raid on Ratchanakharin army camp in Narathiwat Province announced the most recent expression of nationalistic beliefs in the predominantly Muslim provinces that once made up the Malay Sultinate of Pattani, insurgency action since that time has seen over 1,000 killed, mainly through attacks allegedly made by insurgents. One of the most significant aspects of the raid was that it provided arms for the insurgency movement. According to the government of Prime Minister Thaksin Shinawatra, the movement is home-grown and does not include foreign fighters. This significant supply of arms and ammunition has allowed a considerable number of attacks such as drive-by shootings, and efforts to recover the stolen weapons have had minimal success with only ten or less of the guns reportedly recovered.

Despite the majority of casualties having been caused by the insurgents, inexperience in handling a modern guerilla campaign have seen actions of Thai security forces the cause of casualties, most notable being the Tak Bai incident where 78 men died in custody. This has not helped in convincing the local community that the government has their best interests in mind.